學歷
PhD, Department of the Languages and Cultures of China and Inner Asia,
School of Oriental and African Studies, University of London
2009-2014 倫敦大學亞非學院中國與內亞語言文化系博士
2002~2006 國立臺灣大學中國文學研究所碩士,2006年畢業
1998~2002 國立臺灣大學中國文學系學士,2002年畢業
經歷
2021-2023 佛光大學中國文學與應用學系副教授
2016-2021 佛光大學中國文學與應用學系助理教授
2015 國立臺南大學國語文學系助理教授(兼任)
東吳大學歷史系助理教授(兼任)
南臺科技大學通識教育中心助理教授(兼任)
2014 國立臺南大學國語文學系講師(兼任)
中央研究院中國文哲研究所研究助理(兼任)
2007-2009 國立臺南大學國語文學系講師(兼任)
2007 南臺科技大學通識教育中心講師(兼任)
專長領域
臺灣劇場史、日治時期劇場、臺灣傳統與現當代戲曲
著作
期刊、論文集論文
研討會論文
國科會計畫:
YIN-CHEN KANG
EDUCATION:
Languages and Cultures of China and Inner Asia. 2014
Chinese Language and Literature. 2006
Chinese Language and Literature. 2002
PROFESSIONAL EXPERIENCE:
of
time)
of
of
time)
HONORS:
DISSERTATIONS:
“The Formation of Taiwanese Classical Theatre, 1895-1937.” PhD diss., SOAS, University of London, 2014.
“A Comparative Study of Plays of Liyuanxi (the Classical Theatre of Southern Fukien) and Plays from Sothern Theatre of Song and Yuan Periods.” MA Thesis, National Taiwan University, 2006.
PUBLICATIONS:
“The Formation of Taiwanese Themes in Taiwanese Classical Theatre
during the Japanese Colonial Period.” In International Xi Qu Academic
Conference 2021 & The Festschrift in Celebration of Academician Tseng,
Yong-Yih’s 80th Birthday, edited by Hsueh-Yen Wang. Taipei: National
Taiwan College of Performing Arts, 2023.
“The Rise and Fall of Cultural Theatre and New Theatre, from the 1920s
to the 1960s.” In A Century of Development in Taiwan: From Colony to
Modern Sate, edited by Peter C.Y. Chow. UK: Edward Elgar, 2022.
“The Communication Route and Center of Traditional Chinese Theatre in
Taiwan during the 17th and the 18th Centuries, Revealed by Theatrical
Sources of Tayowan (Anping), Taiwan Prefectural City and Taiwan County.” In Nanying History, Society and Culture V: Early Tainan Region, edited by I-chang Liu and Ann Heylen. Tainan: Tainan City Government, 2019.
“The Golden Age of Japanese Commercial Theatre in Taiwan during the Pre-war Period: A Case Study of 1913.” Taipei Theatre Journal 30 (2019).
“Shingeki, Shinkageki, Bunkageki and Bunkakageki: The Forms and Themes of Modern Theatre in the Japanese Colonial Period, Revealed by Columbia Phonograph Recordings.” Taipei Theatre Journal 26 (2017).
“The Birth of Taiwanese Broadcasting Schedule, Radio Column and Children’s Program between 1928~1932, a Case Study of ‘Radio Column’ and ‘Children’s Time’ on Taiwan Nichinichi Shinpo and Tainan Shinpo.” Journal of History, Arts and Taiwanese Humanities 11 (2016).
“The Construction of the Study of Taiwanese Classical Theatre in Pre-War Time during the Japanese Colonial Period.” Taipei Theatre Journal 21 (2015).
“Two Questions About The Bronze Bells of Xin-Yang Tombs.” Journal of Languages and Literature Education 2 (2004).
CONFERENCE ARTICLES:
“The Formation of Taiwanese Themes in Taiwanese Classical Theatre during the Japanese Colonial Period.” 2021 International Xi Qu Academic Conference, 2021. 9
“A Multimedia Theatre of the Early 20th Century in Taiwan─Rensageki (Chain Theatre) during the Japanese Colonial Period.” Text, Image and Audiovisual Culture of Taiwan and East Asia International Conference, 2021. 6.
“A Dream of Modernity—The Rise and Fall of Bun-Hua-Kiok (Cultural theatre) and Sin-Kiok (New Theatre), from the 1920s to the 1960s.” Annual Conference of American Association for Chinese Studies, 2020.10.
“The Communication Route and Center of Traditional Theatre in Taiwan during the 17th and the 18th Centuries Revealed by Theatrical Sources of the Metropolis of Taiwan Prefectural, Tayowan (Anping) and Taiwan County.” International Conference on Tainan Area Studies, “Political, Economic and Cultural Development of the Early Tainan Region (10th-18th Century),” 2017. 10.
“The Japanese Theatre in Taiwan during Taisho Period, a Case Study of 1914's Theatre News on Taiwan Nichinichi Shinpo.” The International Conference on Literature and Culture, 2017. 6.
“The Transition from Classical Theatre to Modern Theatre, Revealed by Columbia’s Taiwanese Recordings.” The 2016 Malaysia International Conference on the Tradition, Progression and Development of Classical Chinese Poetry, 2016. 11.
“The Modernity of Kua-a-hi and Cai-ca-hi and the Origin of O-pe-la—A
Case Study of the Two Phonograph Records, Lian-ing Appears in Dreams
and The Tragedy of Ho-moi.” The Third Conference on Taiwanese
Theatrical History for Young Scholars, 2014. 6.
“The Modern Construction of the Study of Taiwanese Classical Theatre by Japanese in the Pre-War Time during the Japanese Colonial Period.” The International Conference of the Retrospects and Prospects of Theatres Studies in Taiwan, 2014. 5.
“The Birth of the Consciousness of Native Language and the Formation of Taiwanese Theatre: 1900s to 1930s.” The First Conference on Taiwanese Theatrical History for Young Scholars, 2012. 6.